Part I: From Idea to Comic Script to Book
*Originally posted on the Talking Pulp Press – Substack.
The final version of Dan the Destructor is very different from what it was originally intended to be and with that, the Barbarians of the Storm series is a bigger and much more refined vision of what I initially set out to do.
For those who have already read the book and know the characters, the original story that I had in my head revolved around Frank Murdock. There wasn’t a Dan, and Fenrik only came into it about halfway through, as an ally that was actually a king and married to a warrior queen (Vasilia).
For those who haven’t read the book, Frank is an important but fairly minor character in it. He’s also a decade or two older than what he would’ve been in my original idea. Although, a much closer version to that original idea is in the pipeline, as I am planning either a short story anthology or a separate series that will focus specifically on Frank’s time between his arrival in this strange world and the events of Dan the Destructor. Let me get back on topic, though.
The original concept came from my love of Italian rip-offs of the Mad Max and Conan the Barbarian movies. I was high one night, having a marathon of these sort of films, when a friend and I started discussing their origins and how we both thought it would’ve been neat if the Italians had combined the two things together in a sort of Mad Max meets Conan flick. It would have been a strange blend of those worlds but they are very similar, apart from some technological differences. However, both are barbarous, take place in a desert expanse and feature a badass hero, against all odds, doing battle with an enemy force that is much larger than himself.
The idea became something that I wanted to do in a comic book style. Initially, I wanted a four-issue miniseries, drawn in a late ‘70s/early ‘80s style and printed on newsprint, unlike comic books these days. I wasn’t sure how I was going to achieve this, as I wouldn’t be the artist, but I started to bullet point out what the script would be.
I sat on this idea for about a year but new things popped into my head and I ended up having more focus on Fenrik and a new character, Dan. I didn’t even know what to call Dan but I like alliteration and wanted something that worked with “Destroyer”, which itself was an homage to 1984’s Conan the Destroyer, a movie I adored as a kid.
When the COVID shit kicked off and I had a lot more free time on my hands, I cranked out the script for what was then called Dan the Destroyer. In the time since I started that script and got the final book out, though, another novel had come out with that title, so I switched it to Dan the Destructor. I actually have some press proofs of the book with the original title on them.
Getting back to the comic book script, I figured that I’d write it out as a four-issue miniseries of traditional floppy comics. I was also toying with the idea of doing it as a graphic novel, as it was my first attempt at a comic book project professionally and that seemed like a lot less of a headache.
The problem came when I was trying to find the right artist and nothing materialized and the few artists that did respond, fell off the face of the Earth or had such shitty correspondence that I knew that I didn’t want to work with them.
So, I sat on the script for another year and I’d periodically re-read it. However, each time I did, I got new ideas and I realized that it would serve the story better to flesh out some sequences, get a lot more action heavy and to speed up the pace of the storytelling. And really, this got me thinking of the pulp novels I loved as a kid, whether they were all the cool Conan and Tarzan paperbacks I’d check out at the library because of their badass covers or those Louis L’Amour western novels (also with badass covers) that my grandfather would let me read from his collection.
Through that lens, Dan the Destructor came to life for me in a way that it hadn’t before and I decided that it would be best for the story if it were written as a short, fast-paced, action-packed, buddy adventure that stayed focused on the main plot.
However, many of my ideas grew beyond just this story, so some minor world building had to be worked in. I didn’t want that to overpower or dilute the story, and based off of feedback I’ve gotten, I think I succeeded in that. Most people who have discussed the book with me, are already pretty eager to see where certain things are going to go. Honestly, as a writer, that makes me happy, as I obviously want people to enjoy the book and be left wanting more.
So this is how everything came together in regards to reaching what became the book, but I do plan to write more about this, as I wanted to discuss other influences I’ve had over the years that also contributed to what became Dan the Destructor. I figured I’d address this part of the book’s creation process, though, as it’s the question I seem to get the most.
Part II: Discussing Influences – Television & Film
*Originally posted on the Talking Pulp Press – Substack.
Just as I was turning 5 years-old, there was one thing that was released upon the world that was bigger than everything else combined. That thing was the He-Man and the Masters of the Universe cartoon. To say that it captivated me, is the understatement of the century.
I watched the show constantly and I wanted every single toy, which wasn’t possible on my mother’s budget. However, she did buy me a lot more Masters of the Universe merchandise than she could probably afford.
So, while I already discussed how I came up with the concept for what became Dan the Destructor, I can’t dismiss all the other things that had a large enough effect on me to actually influence and seep into the creative process of developing and writing the book and its future sequels.
Masters of the Universe was huge for me, and even though I moved on to G.I. Joe, Transformers, Star Wars, and other franchise that weren’t too close to the sword & sorcery aesthetic, it still served as the foundation to a lot of what I would like in entertainment, going forward.
Other animated shows that I loved, that were also very fantasy based, were the Dungeons & Dragons animated series and ThunderCats. Additionally, He-Man had a spinoff featuring his sister called She-Ra: Princess of Power, and even though that was geared more towards girls in how the toy line differed, I still loved the show and I also had some of those
dolls “action figures”.
As I got older, though, I was completely engrossed by the badass action films of the time. I discovered Conan the Barbarian, The Road Warrior, Beastmaster, and so many others that blew my little kid mind. Many of them I probably shouldn’t have seen at the age that I was, but the ‘80s were a different time and for a parent to deny their ‘80s kids these cultural landmarks would’ve exposed them to the other kids as “pussies”, “dorks” and “dweebs”.
Besides, we always found ways to watch the things our parents didn’t want us to. For me, I had my friend Brian, a few doors down, and when I was staying with my dad, there was Greg, across the street, whose father dubbed every movie the video store had.
By the late ‘80s, my dad was pretty cool about letting me watch a lot of R-rated action flicks. This is when I discovered the greatness of the Cannon Films library from the American Ninja movies, the Ninja trilogy of films, all the Chuck Norris and Jean-Claude Van Damme epics, and so many others. My dad also showed me cooler, hipper and funnier action flicks like the Lethal Weapon, Beverly Hills Cop and 48 Hrs. franchises.
While action films like these might not seem like they influenced Dan the Destructor on the surface of what they appear to be, it was their fast-paced style, witty dialogue, and in the case of the ‘80s buddy cop action/comedies, it was that buddy element that worked its way into the relationship between Dan and Fenrik and how it evolves over the story.
I also have to talk about my general love of adventure stories and how spoiled I was with those in the ‘80s from the Indiana Jones movies, their many knockoffs, and also a lot of the cheaper sword & sorcery flicks that were pretty prevalent and not just the ones from Italy, Spain and Argentina. Some of this influence also came from my mom, as she loved watching things like Romancing the Stone and The Jewel of the Nile.
This probably all seems like a lot, but as I wrote the book and these things subconsciously worked their way in, I wasn’t initially aware of it. It wasn’t until I started proofreading the book, as a full body of work, that I could see these specific influences and where they were coming from, which I found to be kind of neat.
I initially set out to make a mash up of Italian Conan and Mad Max rip-offs. What I ended up creating was a smorgasbord of a lot of my influences, but I do like how it all came together. It wasn’t what I intended to do, it just kind of happened. At the same time, I don’t think that Dan the Destructor is overly derivative or overstuffed by pulling bits and pieces from so many very different things.
The reason I even share all of this, is that I want to be transparent about where my ideas and influences come from. I think it’s important and writers should probably share these things with other writers (and their fans), especially for those who are younger and who really want to take a crack at creating their own worlds.
Plus, I always hate when successful writers pretend that everything comes from them when it’s clear that something specific inspired them at some point. Plus, our influences should be celebrated because they are the foundation we pull our inspiration from. They’re the things that shaped us into the creators that we are.
Part III: Discussing Influences – Comics & Books
*Originally posted on the Talking Pulp Press – Substack.
While I have already pointed out how the initial concept for Dan the Destructor came from the idea of what it’d be like to see Italian rip-offs of Conan and Mad Max blended together, there are a lot of other things that have helped influence me over the years.
I talked about the movies and television shows that inspired parts of the book (and budding series), but I also wanted to continue to give credit where credit is due in regards to other forms of entertainment that did their part. In this installment, I wanted to discuss comics and books.
Similarly to how the Frank Frazetta book covers for Conan, Tarzan, and the Pellucidar series blew my little mind when I saw them on bookshelves, so did the painted covers for the comic book magazine The Savage Sword of Conan. In fact, it blew my mind so much that I own about half of the comic’s 235 issue run from 1974 to 1995.
While I also dug the hell out of the regular Conan the Barbarian and King Conan comics, it was Savage Sword that really spoke to me because of the painted covers and how it was also much more adult in content and boasted exceptional black and white art inside. I especially loved the issues done by Barry Windsor-Smith.
When I was writing Dan the Destructor and decided that I needed to beef the story up with a few more monster battles, I found myself flipping through my issues of The Savage Sword of Conan, where I found inspiration. In fact, many issues gave me some ideas for encounters in the next few books.
Beyond my adoration for Savage Sword, I also loved the Solomon Kane and Red Sonja comics that Marvel put out in their original runs. The Solomon Kane material that was printed in black and white magazine format is incredible and frankly, some of the best stuff that Marvel Comics ever produced, especially outside of their standard superhero material.
As for Red Sonja, more than seeing her in a chainmail bikini, I always loved her spirit and how badass she was. There was something believable in her ability to fight bigger men, bigger beasts and find ways to survive through her drive, fierceness, savagery and cunning. Even at about seven years-old, I’m pretty sure I was saying to myself, “Damn, that’s wifey material, bruh.”
There are other comics that used to peak my interest in a similar way as well. I liked whenever Marvel did their Weirdworld stuff, and I wish that they would’ve explored that territory more. I also liked those ‘80s Dungeons & Dragons and Dragonlance comics.
One specific character that captivated the hell out of me is Illyana Rasputin a.k.a. Magik of the New Mutants. My love for her was born out of the cover of the fourth issue of her original miniseries, Storm and Illyana: Magik.
The story and art in that miniseries was just so cool and I reread the four-issue miniseries almost quarterly for several years. My love of Magik and all the things hellish that were tied to her character, propelled me into being a massive New Mutants fan. I also loved everything that led into and was tied to the X-Men mega crossover event, Inferno. Illyana’s influence will probably be felt greatly in a character that is debuting in my second book.
Moving beyond comics, if I wasn’t reading Find Your Fate books for G.I. Joe and Indiana Jones, I was reading a lot of fantasy. In many cases, these books were the sword & sorcery novels that featured Frazetta art, be they books by Robert E. Howard or novels from a plethora of other authors.
It was always Frazetta’s art that sold me on books, though, as I honestly was too young to really know how much of the art I saw was from one guy. Anything that kind of captured that same sort of energy, usually meant that I was going to give it a shot, though.
It was this kind of art that inspired me to pickup a Kull book for the first time, and even though it was written by Howard and featured a character that one could easily mistake for Conan, Kull was very different and it made me realize that not all “barbarian” characters had to be the same. One thing that I wanted to make sure with my barbarian character, Fenrik, is that he wasn’t a carbon copy of Conan or what people assume is a somewhat generic archetype.
In more recent years, I’ve found myself influenced by authors who themselves were influenced by Robert E. Howard. Yet these are writers that produced very different heroes and with that, inspired me as well. These are authors like Michael Moorcock, Charles R. Saunders, Karl Edward Wagner and Fritz Leiber.
I should also point out that I was greatly influenced by other writers like J.R.R. Tolkien, C.S. Lewis, H.P. Lovecraft, Andre Norton, Edgar Rice Burroughs, and Jules Verne. I’m pretty sure all of them have already influenced things that have come out of my brain and made it into print.
Part IV: Discussing Influences – Pinball & Video Games
Growing up when I did, it’d be hard to not be lured in by the flashing lights and cool electronic noises of the pinball machines and video games of the time. Whenever my mum went shopping at the mall, I was in the video arcade spending her money, one quarter at a time. However, I made a pretty good friend in the arcade manager and he used to give me quarters after I ran out. While he probably wasn’t the best manager because of that, he’s had half a lifetime’s worth of appreciation from me, whenever I look back on his kind and awesome deeds.
Honestly, though, I think he knew that my mum didn’t have a lot of money and he was a bit smitten with her. But whatever, he was cool and he constantly gave me great movie recommendations, as well. I hope he’s still alive, well and happy.
There were three pinball machines that I remembered playing all the time, and funnily enough, they were adorned with badass sword & sorcery style art, which is what drew me to them in the first place. They were Gorgar, Lost World, and Catacomb. The only one I’ve played in recent years is Gorgar, but I would actually like to own all three machines if I’m ever financially able to. Plus, I need a house but the current real estate market in Florida is making that exceptionally difficult, right now.
I think that Gorgar had the biggest effect on me, though, as it has given me inspiration in the book I’m writing now. Plus, I own a replica of the scoreboard, which sits next to me at work, along with the scoreboard from the Creature From the Black Lagoon pinball machine.
Beyond pinball, I played video games and I leaned more into them as I got older and they got better.
When it came to arcade games, there were truly awesome ones like the Golden Axe series, the Gauntlet series, Altered Beast, and this bizarre fantasy fighting game I liked called Hippodrome. Man, I sucked ass at Hippodrome.
As far as console games at home, I was captivated by the first two Legend of Zelda games. However, it was the Dragon Warrior series that consumed most of my time, overall. And there are definitely things about the Dragon Warrior games that stuck with me, especially in regards to long, epic adventures and monsters.
These are just a few of the fantasy games that I played but they’re the ones that stand out the most and that I still think about. When I started writing the chapter that featured the dragon-men in Dan the Destructor, in my head, they resembled the dragon form that the player can take in Altered Beast. And since my brain settled on that physical look, it’s kind of hard to shake. Although, I did give them golden scales like King Ghidorah from the Godzilla franchise, so they are an amalgamation of those two things.
Part V: Conclusion
In the end, I honestly don’t mind sharing what my influences are and I wish more authors would do the same, instead of just acting like it all just came from them or in some cases, flat out denying that they borrowed from something obvious. It’s impossible not to be influenced by things you love, especially when writing pulpy fiction.
I think that the real magic of writing is how these things are processed and eventually come out on the page in a way that works. Besides, if things create wonder in your mind and your spirit, why wouldn’t you want to let it inspire you and hopefully others through your work?
I can see how a lot of this has made it into the stories. Good stuff.
Where is the Kurgan in your influences?